Over the decades, Australian photographer Murray Fredericks has fallen in love with the salt flats of his native Outback. During his first visit in 2001, Fredericks reported experiencing an intense calm - a sense of diminutive oneness, the kind that could only be felt by a small being below an infinite sky.

The enchantment was cast.

In the years since that first fateful visit, Fredericks has returned time and time again to these limitless horizons - only this time, he brought a mirror. The resulting photographs, part of Fredericks' now-showing "Vanity" series, are as surreal at that first trip so long ago: in this unflinching flatland, simply reflecting anything different is jarring if not wonderful.

I'll skip the art history critique - "Vanity" is damn cool to look at, and should be revered for that quality. Even more impressive: every single image in the series is the result of physical, not digital, manipulation. With a simple tool and a simple landscape, Fredericks makes images that would challenge even Photoshop savants. 

Check out more selections from the series below, then visit the artist's website here for more. 

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