Only twenty years later, however, the “new” was old enough to become new again. The loafer’s association with the music of mod culture gave English punk and New Wave artists license to lean on the venerable silhouette, and before long, even American pop artists were adopting the shoe for its newfound “edge.” Michael Jackson’s moon-walking Florsheims were this wave at peak.
A Norwegian fisherman’s shoe worn by Ivy Leaguers and English Punks, made spectacular by the 1987 VMA winner for Best Choreography – there’s a penny for your thoughts.
At the time of this review, I’m an American college student attending a prestigious university after a childhood spent in the greater Northeast. Long story short: my read on loafers is more Dead Poets than downtown punk. Yet, even though my wardrobe consists mostly of white tees and dark pants, I was pleasantly surprised with the mileage I get from these shoes.
First things first, let’s meet the loafers. The slip-ons in questions are the Cohen Loafer by Beckett Simonon, a direct-to-consumer e-comm shoemaker offering handmade dress shoes at accessible prices. As GREATS is to sneakers and Warby is to eyewear, Beckett Simonon (BS?) is to formal footwear. Cool products. Low prices. Done.
Speaking of product: the Cohen.